Search Results for: Cinematographer
Oswald (Ossie) Morris
[…]es I do. And also can I say this. This is going to jar with the union people a bit. I believe that I was better as a freelance and I believe that all cinematographers a better freelance than under contract to a studio now you say well that's a pretty broad statement but let me explain why. It's this[…]
BEHP Bulletin no 3 Nov
[…] for improvising accompaniments to silent films; Freddie Francis, Oscar winning cinematographer - Room at the Top (1959), Sons and Lovers […]
HP0572 Laura Mulvey – transcript
[…] very keen to have this film shot by a woman cinematographer, partly because of the subject matter, but partly also […]
billywilliamsbectu-tape3
[…] who shows him the best way to go and the cinematographer is the chief engineer on a movie, because he […]
HP0033 Walter Lassally – biog
Walter Lassally ( Cinematographer) b.18/12/26 by Jon Stubbs — last modified Jul 30, 2008 11:28 AM BIOGRAPHY A major figure […]
HP0009 Oswald (Ossie) Morris – Transcript – Side 9
[…] the success or failure of the movie and that the cinematographer is only on the floor the number two. I […]
A BRITISH NOIR? IT ALWAYS RAINS ON SUNDAY (Robert Hamer, 1947)
[…] flavour, and it’s perfectly possible that director Robert Hamer and cinematographer Douglas Slocombe had seen films such as Double Indemnity […]
“The Coming of the Projectionettes”: Women’s Work in Film Projection and Changing Modes of Spectatorship in Second World War British Cinemas
Author: Rebecca Harrison, (School of Art, Media & America Studies, University of East Anglia) In December 1940, S G Rayment, the editor of […]
Judy Ritchie
Judy Ritchie - Transcript [Interviewer is Janet McBain, Date of Recording 15 07 2018, Observing and occasionally contributing is ex colleague Robert Scott] [Start of Recording] [00:00]R: I expect once we get started you'll have trouble getting me to stop so just tell me, "Stop!"[…]
