[…] there and enthusiastic. He then went out to Hollywood and became a great lighting designer in Hollywood.Roy Fowler: Yes, he directed one or two films out there, didn't he?Joan Kemp-Welch: Yes and he died, oh, I suppose about twenty years ago, didn't he?Roy Fowler: I can't remember wh[…]
[…]amlet in in Suffolk called Somerton, and That's basically where I've had my early years, I went to the local schools and where I first had a piece of film in my hand, piece of 9.5 film of Alan bes army, and with a hand cranked 9.5 projector. I was there for the rest, rest of my younger life, and eve[…]
[…]ar effort, they would be released’. So I went to see Basil Wright, who I was still in touch with, and he said “well, they’re starting to think of the colonial film unit”. Now this was about…D-Day had already happened, and I suppose it was about July or August 1944. And er, so erm…I went and saw them[…]
[…] John Paddy Carstairs. Joined COI after leaving Navy working on colonial films. Formed Central African Film Unit as Producer 1948 […]
[…] I had decided that I was going to be the greatest director since David Wark Griffith it was around that time. My mother always said “He’s film barmy” because I was always trotting off or insisting on being taken if I couldn’t get in by myself, even then I was keeping up. Kevin Brown[…]
[…] the customers with me when I could. And that was a very nice year. Not good for the health, I don't think. ButRoy Fowler 8:02 were these colonial white mischief days? Well,Keith Ewart 8:05 I don't know about mischievous Yes. I mean, certainly colonial. It was before Yahoo. S[…]
