[…]he Ealing comedies, they had a wonderful thing holding them together. And it was it was you couldn't do that if you said, let's go and make an eating comedy. Well, let's get a crew. were shooting there, we'll get that crew on, then we'll get next week, we'll get another crew that it wouldn't happen.[…]
[…]nct) he had built in Westminster, and they brought these productions and had a great success in London and the leading lady of Eugene O'Neill’s comedy. Have we stopped? One thing they brought over (apart from the Irish plays) was a wonderful comedy by Eugene O'Neill called Ah, Wilderness; prob[…]
[…]d as a - completely like a like he was in real life - man in a muddle and a great desk full of things and getting everything wrong. It was a bit of a comedy little film for the Post-Office and it was it was great fun meeting Richard Golden. [00:06:15] I: Goolden? [00:06:16] Goolden, I said[…]
[…]bsp;39:01 which films thenDudley Lovell 39:04 that was on series of pictures we did in in Pinewood one was called captain's table a comedy. And the other one was called floods of fear is about the business simply floods or staged in stage three of of Pinewood with a tech tank flood[…]
[…]-hall, and my mother was on the stage, so he met her and they married. DB. But he was involved in films... Silent films?PS. Yes, because he wrote all comedy stuff, and when the talkies came in, it was easy to transcribe, or transfer, the scripts that were alright on the music-halls to the talkies, a[…]
[…]orts. And then when the boys start dating, he finds he's no longer included in the gang and gets very, very upset. And - it's got quite a lot of nice comedy in it - and goes off and is made fun of by three hookers and has a little affair with Ruby Dee who, I don't know if you know, the black actors […]
[…]ghters in America. Then I went to Lewis Gilbert, which was nice, for a picture called Light up the Sky, with Benny Hill and Tommy Steele, a comedy, that was good fun. Then I went to Disney when they were at Shepperton for Greyfriars Bobby which was a delightful picture which Don […]
[…]ou know, you have to constantly think of what would be a nice way of lighting it depending on the character in the script – whether it’s a drama or a comedy, you have to light it differently: a comedy it’s just all nice and bright and if it’s a drama, you know, it has to be dramatically correct for […]
