Diana Morgan

[…]SC: No. DM: No? So what did you in fact play? What was the biggest part you played at Cambridge? Can you remember? DM: Minnie Williams in A Comedy of Good and Evil. By Richard Hughes, who wrote High Wind in Jamaica. And I played that afterwards at the Gate, at the Arts, on television, I pl[…]

Anne V Coates

[…]heavily. And, so, I had one of the, when I look back on it, funniest things said to me really, because, they did this shot which was in a one shot, a comedy sequence where it has Zero Mostel in it, and I think it was Zero or somebody fell down the stairs, and people were looking and things, and, but[…]

Hugh Stewart

[…]early days of films, nobody knows anything but Buster Keaton, Harold Lloyd, Charlie Chaplin, The Keystone Kops, Laurel and Hardy... And to me, silent comedy was an absolute dream! And I liked the idea of creating scripts out of nothing, just an idea and thinking purely in terms of visuals. Well ther[…]

Gordon McCallum

[…]urse I used to thoroughly enjoy going to a cinema and hearing something work if we'd done something you know. And that was particularly possible with comedy, and we did quite a lot of comedies. To get the laugh in the right place and so on, to trigger it at the right time. We used to play around wit[…]

BEHP 0721 T NORMAN J

[…] cartoon, a Mickey Mouse, and a Ha m Hamilton cartoon, comedy I mean and another one, I can’t remember the […]

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[…] sure this guy is a brilliant editor, but a British comedy - is it right for a Yugoslavian?" This is […]

Diana Morgan Transcript

[…] at Cambridge? Can you remember? DM: Minnie Williams in A Comedy of Good and Evil. By Richard Hughes, who wrote […]
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