[…]was alittle commercial firm in Dean Street and they had a shop steward there but it wasn’t - theyweren’t observing - it was in the early days of commercials, you know. And it was a bit dodgy going to tell them to read the riot act to them and so on. So eventually it was arranged that I should g[…]
[…] and before I became a director I was editing the commercials out of The Perry Como Show, which the BBC […]
[…] he's out there now and he's doing very well making commercials so some of them do get on but I […]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
BRITISH UNIVERSITIES FILM & VIDEO COUNCIL Interview with EDGAR ANSTEY I think it's interesting as background to consider the extent to which the original dress and philosophy er - was developed in the first instance by him and then er - was moved out, partly by his efforts, partly by the efforts[…]
[…]that and they thought, you know, the pay would kind of look after itself, which to some extent it did. But it meant that all negotiations in terms of commercials, in terms of feature films, in terms of shorts and documentary were never done I think kind of significantly or well or properly. And beca[…]
[…]a state he was named what we would call a new kind of thing.SPEAKER: M2And so I made a commercial for him with Kenny key which was uh we made several commercials which were projected at the time on television. Yes. Yes.SPEAKER: M1And uh to sell each house basically sell the house.SPEAKER: M11And the[…]
Jonathan Balcon Side 1 endRoy Fowler 0:00 The day is the 1st August 2001. Um I should add the copyright of the following recording is vested with the BECTU History Project, if that's agreeable to you Jonathan, and the subject we're about to embark I suspect on a marathon discussion […]
