[…]ould start by lining up the machines? R: Yes, you would start by lining up the machines and there were two 35 mm machine speeds which mostly did commercials and then there were two 16 mm machines and a magnetic film sound transport and there was also a brand new Rank-Cintel Mk III Telecine whic[…]
COPYRIGHT: No use may be made of any interview material without the permission of the British Enterrtainment History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the British Entertainment History Project (formerly the ACTT History Project) and the ri[…]
[…]s, it’s very bad of me, I can't think. I mean obviously I worked on a few Hammer's with Valerie Leon – you may remember her as the karate girl in the commercials[Hai Karate aftershave. DS][01:08:59:170]JK: ah yes.BJ: And dear old Seth Holt was the director of that and he, he had a wonderfu[…]
[…]e original name of the big house at Shepperton studios. And Littleton Park was the production company's subsidiary of British lion making principally commercials. It made one or two documentaries. And Ron is a very charming and very experienced director and writer. And Erica masters who had worked f[…]
[…] I don’t know, I just feel, you know, I’m aware of it, as somebody who watches your work, or a mere cinema audience member. AL Have you made any commercials at all? JG Yes - not many cause I don’t enjoy them. I think at the time … I did the first one after Bofors Gun, and I remember […]
[…]as finding the kind of small studio space that you needed for making television commercials because the main studios were far too expensive and the stages were much&[…]
[…]of greys and blacks. But we did Black and White work.Speaker 1 7:21 And was there do you think you would have been working on with cinema commercials as well as television commercials that time it was thereUnknown Speaker 7:28 any both? It was both how they wereUnknown Speake[…]
[…]; Appointed the Peacock Committee to do something about the licence fee. And by and large, the Peacock Committee were charged…why don’t we have commercials on the BBC? That was Alan’s task, no question. And that will solve the licence fee problem. BBC will take commercials, t[…]
[…]EAKER: M1The copyright of this recording is vested in the back to history project. The subject is Bernie global film editor in features documentaries commercials and television. Interviewed by John Legend. The date is 14th of October 1995.SPEAKER: F3This is side 1 and the file number is 3 6 9.SPEAKE[…]
[…]ly’s [Anatole deGrunwald] brother, and he had a firm called ScreenSpace, which was the London front for André Sarrut in Paris, and they, because when commercials started there were only two firms in England who had any experience with advertising films, and that was Pearl and Dean and Rank Screen Se[…]
