[…] my film if you will.” And that was made on short ends, black and white, and after finishing that, yes, I got work as a cinematographer in commercials and documentaries and some of those were in colour, until I shot my first professional film which was Peter Watkins’ film Privilege.P[…]
[…]g on Sparrows Can’t Sing as a result of a poor quality test film; he then used his Paddington film as a show reel when looking for work; DW worked in commercials and documentaries; for the commercial industry DW had to train himself not to operate the camera as he had in documentaries; thanks to the[…]
[…]e said to me, you know, having to ever work for Shell I said, Well, no, I said it would be it's all a bit high tone for me. I said, You know, I, I do commercials. And you know, I'm I do. I didn't deal with the nitty gritty. You know, Derek, I don't make high class movies. don't regard myself as a hi[…]
[…]resses from Emergency Ward 10 went to America. And my most recent trip in May of this year as on my previous trip in 1985. I saw him on television in commercials, so he's still going strong. But the most notable person that popped up out of Jigsaw was some young man with a beard and glasses,who was […]
[…]or Company. And he got it, as I'm sure he said, but I think it's true that he would produce advertisement films for Ford, and remember this is before commercials really, there were advertisement films, on condition that he could make some films that had no advertising. And we talked about this. Free[…]
BECTU History Project - Interview No. 185 [Copyright Pat Jackson] Transcription Date: 2002-02-06Interview Date: 1991-03-22 Interviewer: John LegardInterviewee: Pat Jackson Tape 1, Side 1 John Legard: Well Pat, it's very good of you to come along today and talk to us. P[…]
[…]nbsp;English girl. He's back there now of course but he's now mainly working on commercials and government sponsored documentaries and so many so how long after that […]
[…]n end, he’d have to go back to being a dubbing assistant, so he resigned and set himself up as a small independent company doing mostly promotion and commercials and that kind of thing. And so we met and got on very well and I told him what had happened and he was frightfully keen. So between us we […]
BILL COTTON JRRestricted copyright and pUblication only with writtenpermissionInterviewed by John Taylor, with Stephen Peet and Alan LawsonBill Cotton Jr was born on 23 April 1928, educatedArdingnye College, SussexSIDE 1, TAPE 1John Taylor: Your father started working with the band early on, before […]
[…] light and zoom shots and flat, it all looks commercial style which is all glossy and pretty but it's not good for a film. It's terribly effective on commercials and very easy to do. If you come in on a long focus lens and wide open it looks very attractive, it makes people quite attractive. A camer[…]
