[…]rested in that. My grandfather worked with Koch in Africa, and he was only very early public health person. My grandmother on my mother's side is the composer of My Ainfolk she was a Canadian of American stock. And she came over to study music and whenever there's about I got one of the things to do[…]
[…]some of it was hilarious. I've been. I was remember one prize remark or Peter Rogers when we're talking about music on a picture. And I think the the composer used musical saw. I don't think he was very enamoured by this, anybody said, I think we could have got the same effect by six all men suck in[…]
Alan Lawson 0:04 The copyright of this recording is vested in the BECTU history project. Jerry Anstiss, camera operator feature films. interviewers, Alan Lawson, and Sid Wilson, recorded on the first of September 1993. side onefirst and foremost, when and where were you born?Gerry Anstis[…]
[…]rse. At the same time I remember noticing that on the BBC production course and very prominent in the canteen was Kenneth Tynan and Stanley Marrs the composer, both from Birmingham and both of whom had been at school with. That was quite interesting. In the end I left I elected to go to ITV seduced […]
[…]e discussed where we would discuss where he wanted music and He will say to me, what sort of effects when I sent him a copy of but now I have a Media Composer. And again, getting the WTF and the same with the effects and the music, flesh of it. I had no idea what was going to be different.John Hargr[…]
SIDE 1 INTERVIEWER: The date is the 6th of July, 1993. This [is] interview number two-seven-one, with Charles Smith. Right. Okay, when—when were you born, and what sort of childhood did you have, and what your parents were. CHARLES SMITH: Well, I was born in 1920, May, in Rugby in Warwicks[…]
[…] you are, because I can’t think of anybody else. AL: You don’t write the music as well do you? DM: No. I’ve got a very, very nice new young composer, and he’s charming. It’s ridiculous because I could be his grandmother, you see. It’s a very funny combination, we get on frightfully well.&n[…]
[…]------------------------------------ Charles Bennett : ...said he was Somerset Maugham. Otherwise the greatest of all - because he was lyricist, composer, and storyteller, and dramatist - was N�el Coward. There was no question about that.Arnold Schwartzman : Did you ever work with Coward?Charle[…]
Sheelagh Reece DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…]s and early ‘60s these were purely a combination of new technology, developed by engineering skill and creative ideas from people who were writers or composers or musicians of one sort or another. So I take the view looking back on it that the BBC’s role in trying to push forward, to roll forward th[…]
