[…]he tax people and he was kind of persona non grata artists in England, otherwise, he'd have to pay a huge amount of money. But so we had a variety of composers came in, but they all did. I mean, John's area, John and Monty Norman, of course, Monty Norman's thing is always used when you start the Jam[…]
[…]at there was too much mushy, general effects which weren't contributing to anything and some of the carefully selected music because we didn't have a composer we use the what we could find it was any good from the DeWolfe library. It wasn't making its impact. And I think I'd probably said something […]
[…]sentation of archive film: the commissioning of music and we’d had an early run at the Battle of the Ancre, which is the first time we engaged with a composer called Laura Rossi who wrote music for a chamber orchestra to accompany a screening of Battle of the Ancre for us in – sorry can I look at my[…]
BEHP 0720 T RENÉE GLYNNE TranscriptBritish Entertainment History Project – Interview No. 720 26th January 2018INTERVIEWEE – RENÉE ALMA GLYNNE INTERVIEWER – DARROL BLAKE Transcriber – Linda Hall-ShawDARROL BLAKE: So, can you tell me your name and[…]
[…]ou know, comparable pieces from local regional music like the Balinese gamelan for example got in there. And the second film was was about a Japanese composer Toru Takemitsu which was a very different programme. So I'd always loved the use of music in films and was really attracted to this and I cou[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
BEHP 0694T Clyde Jeavons TranscriptClyde Jeavons [CJ] Murray Weston [MW] David Sharp [DS]Please note that there is some repetition between the first and second Interviews. DSMW: Well although we didn’t call our first interview the first one, with David Francis, this is our second interview with[…]
Mary Orrom Katy McGahan 0:02 OK, this is an interview by Katy McGahan, one of the curators in the Non-Fiction unit at the BFI interviewing for the BECTU History Project, Mary Orrom, filmmaker, editor and director. And it's 25th of January 2011. Katy McGaha[…]
This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co- Investigator, De Montfort University). (2015).BECTU History ProjectInterview […]
