[…] were radically different.SPEAKER: M2Artie Schmidt and I had soldiered on side by side attempting to make the best of a bad job. Poor John Morris the composer had to score two full versions of the movie which were quite different.SPEAKER: M17We then had to go into separate dubbing rooms at the same […]
[…] put it right. But the fact that he should have to do so I remember shocked me. The other thing they worked very closely on very fruitfully was was a composer William Walton, who may have been a personal friend of Olivier's anyway, stayed at his house when he was here. He lived in Rugby. And it was […]
[…]ng money.And I came up with an idea of having a concert of film music ..at the Albert Hall and done on .... a big scale. .. And my plan was to invite composers of film music to conduct a symphony orchestra. And, not me, but somebody, I set up a subcommittee. Somebody came up with the idea that we sh[…]
[…]ay that's almost unnoticeable.Wyn Ryder: If you made a film would you copy people like Kubrick and use already composed music or would you get a composer you thought would fit the mood of a film, have you any ideas about that.Reggie Beck: It depends very much on the subject matter, on the […]
[…] Mathieson went to Del, and said we've got wonderful British composers, and Vaughan Williams - I worked with some really […]
[…] myself, because I'm grateful for having had what I've had, you know. And I just think that it's right that the young producers should be using young composers. Otherwise, where are they going to get the work, you know? But I think we ought to start a an elderly film production company called the ge[…]
[…]f the artists and the musicians did well. The other thing that Del Giudice did was - Muir Mathieson went to Del, and said we've got wonderful British composers, and Vaughan Williams - I worked with some really good composers - he earned five hundred a year writing songs. He had some private income, […]
[…] it. Norman Swallow: You've also haven't you, frequently not all the time of course, used or worked with often the same cameraman, film editors, composers of music. John Schlesinger: Yes, it varies, less so with cameramen, interestingly. I like to feel you've got footsie footsie out of the[…]
