[…]young chaps who actually in the event would produce a lot of the sequences and there was a researcher and then there was the standard typist and unit managers, so I should think it's a couple of dozen.Norman Swallow: From what we hear you haven't finished yet.David Attenborough: Yes, I've got an ide[…]
[…]out that at the beginning of my life ...Sidney Cole : About Joe Grossman? A lovely, charming incident.Muriel Box : Yes, so I wrote to him, he was the manager of BIP and I had an interview with him, he was extremely nice and he engaged me. Because he said "We've got a series of short ones being done […]
[…]ey said, "No," you didn't. If they said, "Right! Cut! No overtime," then - the ACT, they were most powerful, then the electricians, and then the poor construction workers came last! [Laughs]Sidney Cole: I suppose when you were standby plasterers too, sometimes there would be another er - you'd have […]
[…]f dialogue and give it to some poor wretched editor to sort out. What did you think of stereo sound, did that have any effect on your editing, on the construction of your film?Reggie Beck: No.Wyn Ryder: Because some films are made for stereo and others it's just a waste of time ..Reggie Be[…]
[…] certain things I knew he couldn’t pronounce and certain grammatical constructions that he didn’t like and I used to put […]
[…] work of art in Europe, and it’s an amazing, amazing construction and so, I hope to be making a film […]
[…] researcher and then there was the standard typist and unit managers, so I should think it's a couple of dozen. […]
[…] book which I did which was quite good "Baroque Theatre Construction" When I started I was working with my father. […]
[…] : Yes, so I wrote to him, he was the manager of BIP and I had an interview with him, […]
[…] were most powerful, then the electricians, and then the poor construction workers came last! [Laughs] Sidney Cole: I suppose when […]
