[…]were still black and white view finders and and it was a black and white camera. Basically it wouldn't. It was no, no real difference, apart from the construction of the thing and the fact that you were using zooms more regularly, Nick Gilbey 1:02:08 and they were for stan[…]
[…]r yourself in that way?Roy Fowler:I was never a very good screenwriter I'm very adept with prose I think but I'm not good on story, I’m quite good on construction I can take someone else's work and put it into shape but in terms of original conception I would say that's my principal weakness. So as […]
[…]etary, sue.malden@btinternet.com.. Gus Walker Side 1Rodney Giesler 0:00 This is an interview with Gus Walker, former construction manager, recorded by Rodney Giesler On January the 20th 2000 for the BECTU oral history archive in whom the copyright of […]
[…] the plasterer they had there, a very clever chap...um...who was construction manager. He came over with them but he was very […]
[…]ggy Gick: Hmm...John Legard: Yes it was a nice studio that, wasn't it?Peggy Gick: And the plasterer they had there, a very clever chap...um...who was construction manager. He came over with them but he was very sorry to have...[chuckles.] And when we were making 'The Double Deckers' and I was cursin[…]
[…] and very much my contemporary, a very independently-minded Antipodean. Tragically caught in a roof fall injuring his back. There was Ken Gay as unit manager. I can remember that unit from the total friendliness of it. No one was biting anyone else's back. There were no jealousies. It was a marvello[…]
[…]ean, who else was sort of working there on this sort of stuff at Merton Park at that timeAlbert Critoph 8:22 she was there for years, the construction manager, Eddie Turner.Manny Yospa 8:30 And then there's Ronnie Curtis, and yes,Manny Yospa 8:40 for record purpos[…]
[…]pened. He went off, as far as I know, when he was a young man, to work in a timber mill in Romania, Europe. At that time was small, and he became the manager of it, I think, at 21 and owned it at 24 or something. But he was obviously very capable then, with the threat of Hitler, the Russians and all[…]
[…]ing stuff with it and if you put it in a storytelling form, it, again, gets out to the viewer without touching the side. So, by giving that narrative construction role to the journalist of storyteller, you give them something easier to gather it with, it all comes in and out in a remarkably sort of […]
