[…]nbsp;2:56 I left there when I was 21Unknown Speaker 3:00 and I don't know if you know wag HammertonUnknown Speaker 3:05 construction manager. He was, he's now he was, and I used to know him, and he said, Why don't we I come over to tainton and get a job on the film, if […]
[…]id, I am sorry but if that is the sort of way that I have to go in – it wasn’t the studio – well the studio was saying it I suppose to the production manager but I said no I have got to have my own boom operator at least otherwise I won’t be able to do anything – I would have to do it their way and […]
[…]they didn't like. And what was set up in its place was a regime in which Ian Lewis had been imported into the company, he had been a production manager and producer in a small way, was brought into the company as a kind of universal troubleshooter, someone with with pretty wide ranging authori[…]
[…]tre?EC: Oh I did some theatre and I have been doing an awful lot of writing. There is another book which I did which was qui te good "Baroque Theatre Construction" When I started I was working with my father. I was working in the Archives of Northern Italy collecting together material, photographing[…]
Stephen Peet 0:00 This is Alan Izod Izod. I ZO D being interviewed by Steven Peet , the copyright of this recording is vested in the ACTT History Project. And this is tape one, side one. And the date is June 11. 1998.Where were you born and when ?Alan Izod 0:46 I was &n[…]
[…]ot to an age of it, like Shirley Temple, the time came, you know, your time is up pal, actually, and he went to work on you know, became a production manager. And Julius the the other son, he died on location, funnily enough in Africa, as well. And it was the same sort of sad demise if you like, whi[…]
[…]ers Wells there is an internal telephone system, well there is in every theatre now, and one at the stage door, One at the prompt Corner to the stage manager, one by the conductors Side in Case the stage manager needs to give him a message. And if there was a big disaster the stage manager could rin[…]
[…]lity in our lightweight location documentary shooting. Eventually I was sent out to Hollywood at the beginning of March in 1953 to supervise the construction of this camera, in collaboration with Richardson Camera Company, to check the accuracy of the image control systems. And of course I had […]
