BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]e young ladies.CC: Yes all those lovely little girls,SC: Joan Gardiner, Merle OberonCC: Incidentally, you wouldn’t have known, Eileen Corbett who was continuity girl at that time, I got a letter from her saying she sees Joan Gardiner quite often.SC: I didn't know her, butCC: Eileen lives up somewher[…]
[…]millions of feet shot of anything that might happen that was interesting. That went back without any report sheets. There were no crew, there were no continuity girls. It was of interest. The Azore stuff, I don't know how much I shot but there was an awful lot of film. The Ministry of Information re[…]
Please note this interview transcripted was converted from a PDF file into a Word document. It will require proof reading and editing. Interview with Cyril Howard at Pinewood Studios on 25th August1988SIDE l, TAPE lRF: When and where&nb[…]
24 Jun 1988The copyright of this recording is vested in the ACTT History Project. Sidney Samuelson CBE, Entrepreneur, Chairman of Samuelson Film Service. Interviewer, Alan LawsonSide One. Q: Sidney, when and where were you born?SAMUELSON: I was born in Paddington in Warrington Crescent I […]
[…]se there were oranges to go, until eventually unfortunately got broken into and everything stolen out of it before I eventually got it back.Was there continuity of work for you in those days or were there gaps?Well, I went five years with just only managing to grab an odd week. In fact I got so over[…]
[…]e into afilm at Pinewood and he gave me a section to edit which he then changed abit of course. And then he directed a quota film and he marked up thecontinuity sheets for me, where to use each section of each shot. So, hereally, I suppose, gave me the greatest help. I think the rest of it hascome t[…]
