Search Results for: Continuity

[…] their performance would depend on that assembly. They knew about continuity. A lot of the stage actors who were stars […]

[…]y each way.(TIME 07.06) So, I went to Warwick Ward and said: “My family is moving backto London and please promise me that I can be an Assistant Continuity” because Ialready by then knew what I wanted to do. “So, if you can’t promise me that, I don’t think I can stay here and do those jour[…]

[…]n’t think I really had the kind of subservient enough personality to say yes and no all the time. And I discovered there was you know, the job called continuity so I literally went knocking on doors around London sort of saying “can I be a trainee?” and eventually I got into the Korda Studios and I […]

[…] directors, Muriel Box entered the British film industry working on continuity and scriptwriting in 1932. During the war she worked […]

[…]t to the studio, you see. And I went with Anyushka to the studio. And one day, Mary Field, I think, I think it was Mary Field was the, the so- called continuity girl, sitting by the camera with a block, taking notes, and she fell ill. And Anyushka said to Fyodor ‘Use this girl, she's done it everywh[…]

[…]re showing talkies. So when I got in, Teddy Baird, he was my boss.Sidney Cole : At Welwyn?Muriel Box : Yes.Sidney Cole : Then you went on to become a continuity girl.Muriel Box : Well I was introduced to it. I'll tell you how it happened. I wanted to learn continuity very much, how to do it, or cutt[…]

[…]aurice Carter: It was just compressing the thing into the studio, the building the bigstation and that sort of thing in a tiny studio and getting the continuity to shoot along thetrain was the biggest problemRoy Fowler: It was a bigger budget than usualMaurice Carter: Yes it was, I didn't know what […]

[…]cts then we learn to have any people from the film world come in who might might become available to usStephen Peet  9:14  that include the continuity girls and others whoAlan Izod  9:18  are friends. Oh yes it did indeed. We had one or two continuity girls I remember well Thiswa[…]

[…] I think it was Mary Field was the, the so-called continuity girl, sitting by the camera with a block, taking […]

[…]er, we always used many cameras. And Victor Savi was then one of top British directors. He always insisted using many cameras to cover the action for continuity and saving time and so on. You used to ride on a horse from camera to camera on location with a bit of a show off. But very tough director,[…]