BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
[…]just leave it to you. Because together you get a script. Yes. You know, what the character is supposed to look like and that sort of thing. You know, continuity, of course, you get the same makeup on each day. Over there's an ageing thing, you know, we can start Yeah, and gradually, gradually get ol[…]
[…]uld prefer to work with. He started off in advertising and he was a most marvellous - or is a most marvellous draughtsman. And he did the most lovely continuity sketches for 'Saraband' when he - long before he became a director. And consequently I found that he had a most wonderful eye to how the pi[…]
BECTU History Project - Interview No. 250 [Copyright BECTU ] Transcription Date: 1999-01-30Interview Date: 1992-03-03 Interviewer: Arnold SchwartzmanInterviewee: Charles Bennett Also present was Charles Bennett's business partner Stuart Birnbaum. Tape 1, Side 1Arnold Sc[…]
BECTU History Project - Interview No. 228[Copyright BECTU] Transcription Date: 2002-03-04Interview Date: 1991-11-25Interviewer: Roy Fowler Interviewee: Joan Kemp-WelchTape 1, Side 1Roy Fowler: '91 and we're at John P. Hamilton's in Paddington and we have a very distinguished lady, Joan Kem[…]
[…] just going to change, move, no, no, don’t want it changed, don’t want it changed, I want to keep it as it is. Which I quite saw because probably for continuity it was not possible.Anyway, I then rearrange it, and it was very difficult to get the extras to rearrange something as quickly, they were n[…]
