[…]m. We didn’t like them, we watched the technicians.Yes.And decided he just wanted to be a cameraman and I just wanted to be, actually Iwanted to be a continuity girl but I thought I’ll get in any way I can.Yes.And I was working on a film at Elstree and I did quite a bit there and Stapleton I th[…]
INTERVIEWEE: INTERVIEWER: INTERVIEW NO: DURATION:CHRISTINE COLLINS BRIAN LANGLEY3451:19:16COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Pr[…]
BECTU History Project - Interview No. 328 [Copyright BECTU]Transcription Date: 2002-03-02Interview Date: 1994-06-08Interviewer: Rodney GieslerInterviewee: John HogarthTape 1, Side 1 Rodney Giesler : Right, this is an interview with Mr John Hogarth by Rodney Giesler on the 8th June 1994. Ca[…]
JOHN SCHLESINGER Feature film director Interviewer Norman Swallow, recorded on 30 March 1994 Copyright of the recording is vested in BECTU History Project SIDE 1, TAPE 1 Norman Swallow: Let's go back to day one, when where you born and where. John Schlesinger: I was bor[…]
[…]now whatever happened to him we're off to Canada.Now in those days it was very difficult to get an air passage, so Bob, myself, the equipment and the continuity girl and the producer's secretary arrived at Surrey Docks to get on the SS Bayano which was an old banana boat that had been borrowed by Cu[…]
[…]sh Acoustic and all the rest of it. But the other one was talking you talking of Tilly Day whilst we were in Malta doing Malta story, Tilly was continuity. And we were in the bar one night, and I was recounting stories of the past. And I said, I remember right, very early days, when I ran a ca[…]
