Jimmy Sangster Log 1Interviewed by Jonathan Rigby.TAPE ONENotes :Picture break up at: 27.45, 35.00, 41.05, 46.40-50, 47.25-48.12 00.00-02.24Norman’s Film Services - First job at 16 as projectionist. ‘Salute to the British Worker’. Problems with projecting film. Given the sack.[…]
The copyright of this interview lies with the British Entertainment History ProjectCornel Lucas – Transcribed by Linda Marchant28/09/2005Copyright interview – BECTU history project - Interview number 543.Recording 15.05 (AP – anonymous person audience)Interviewer: Cornel we’re here at BECTU he[…]
[…]ay. And er, “would you like to do that?”. And I said ‘oh yes! Please!’.So I got the job on ‘Under Your Hat’. On ‘Room for Two’, there was a very good continuity girl called Kay Mander, who later became a great director, a great director of documentaries. Erm..and she was erm, she said to me, “are yo[…]
BECTU History Project Interview No 526.Mel Faber.Feature films: advertising and distribution.Interviewed by Brian Taylor and John Legard. 30.09.2003.Transcription by Allen Eyles, September 2007.INTERVIEW WITH MEL FABER FOR BECTU HISTORY PROJECTMF: I'm a Liverpudlian as you may gather from a problem […]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretati[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any mis[…]
COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not b[…]
[…] inboard and And it was only cut between two cameras because we had a second camera there and the mute Bolex or anything just just cut in between for continuity, but absolutely not a single word was cut. And that actually was a genuine case of, of an editor being educated by his own output, because […]
BECTU History Project Interview with ROY FOWLER – producer, director, writerInterview Date(s):13 June 2000Interview number:479Interviewers: Rodney Giesler Side 1Rodney Giesler:This is an interview with Roy Fowler recorded by Rodney Giesler on the 13 June 2000 for the BECTU oral history arc[…]
