[…]al others because he had to lay out all to keep it synchronized with the music and the story itself. You made out a little what we call the sheets of continuity. Found many frames that it would take to keep in synchronization with us with the soundtrack. Right.SPEAKER: M1And so everything would be p[…]
[…]I here? JK: [faint] I’m going to ask you who else you depended on? BJ: The grip- ah well- the focus puller, the grip and the cameraman. The continuity girl is a great asset to have because we go back to the old line, crossing the line, looks, and looking the wrong side, the right side of t[…]
[…]with something like that. I mean in fact ofcourse, looking back it it would have been quite a useful training to have because I could have gone, done continuity as well, and in fact I resisted that like mad for some reason. Not the continuity aspect but the shorthand and typing, I felt for some reas[…]
[…]sp;girl, Jean de Cassilas or John de Cassilis was directed by Maurice Jay Wilson for Grand National, and it was photographed by Freddie Ford. And the continuity, the continuity girl is called Dot Forman And Firstly, I have to say is that I was green went into this business. But I'm now trying […]
[…]rly.John Legard: If you were on semi established staff, it didn't matter quite so much if you weren't getting a vast sum of money. At least you had a continuity of employment, which was terribly important, always has been in our industry. I was very lucky because I was with Edgar at British Transpor[…]
Interview with Margaret Dale (choreographer, ballet dancer, television producer)The copyright of this recording is vested in the BECTU History project.Interviewer Norman SwallowRecorded on the 21st January 1992. DISC 1 Side One Track 1NS: First of all Maggie, when and where were you born?[…]
[…]hirty... plus. Thirty-two years.DS: Thirty-two years. I hope they appreciate and there aren’t many people like you and you’ve been...A direct line of continuity from the opening days?DS: Oh yes, and before that from BBC into the...Well, in commercial television.DS: Yes, and right from the start, wor[…]
The copyright of this recording is vested in the BECTU History Project, the interview is with James Gilbert interviewed by John Taylor with possible interruptions by Stephen Peet. James Gilbert has mainly been a producer and director for television and the date is 5 March 1990, File No 130.SIDE 1, T[…]
