BECTU History Project - Interview No. 101[Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1989-09-25Interviewer: Roy FowlerInterviewee: Norman FisherTape 1, Side 1Roy Fowler: Copyright of the foll[…]
BEHP 0:00 We're in the theatre five at Pinewood at the date is the 25th, Tuesday the 25th of October 1988. And we're going to go through the basic questionairre first, and then hopefully, if we don't get out all the bits and pieces we want from the, we'll go over to the more specialised […]
[…]st of the other things, maybe I've been very lucky.RF: I suppose what I was trying to say was that business was more active, better funded, there was continuity in production.That probably brings us then to Casino Royale. I just turn it over to you.VG: Well it’s very difficult, this is a film in its[…]
[…]hing like that.Roy Fowler: As large as that?Eddie Dryhurst: Hmm.Roy Fowler: And used for how many films concurrently? Just the one or did they have a continuity?Eddie Dryhurst: Well sometimes they'd use it for two perhaps.Roy Fowler: Yeah. How large a staff was there at the studio?Eddie Dryhurst: St[…]

NEWSLETTER OF THE BRITISH ENTERTAINMENT HISTORY PROJECT www.historyproject.org.uk Issue 3: Spring 2020 Chair’ s Welcome Dear All, I hope that […]
[…] was a PM, but they didn't - assistant directors or continuity, they took on as and when. Sydney Samuelson: I […]
Norman Fisher (newsreel cameraman) 18/7/1917 - 20/11/2001 by admin — last modified Jul 27, 2008 02:12 PM Biographical information to […]
