[…] feminine has entailed lower status and prestige for its exponents. Costume designer (and historian/activist/advocate for the profession) Deborah Nadoolman Landis cites […]
Anthony Mendleson ( costume designer) 2/1915 – 10/1996 by admin — last modified Jul 27, 2008 02:38 PM BIOGRAPHY: Initially a […]
[…]endleson : Well I always liked drawing and looking at paintings and that sort of thing. And then, from then on, I gradually became very interested in costume design. I used to go to the ballet a lot, for instance - you know, in the old days, at Covent Garden, when the remains of the Russian Ballet c[…]
[…]TT History Project) and the right to publish some excerpts may not be allowed.Phyllis Dalton Page 1This is an interview with Phyllis Dalton, the costume designer, recorded by Rodney Giesler on the eleventh of February 2000 for the BECTU oral history archive in whom copyright of this recording i[…]
[…]dinner. Period. And it was 12th Night or something designed by Steven Bundy. And it was in the studio and I went up to have a look at it. Kind of for costumes of different heights. And I told Stephen Bundy that he designed himself a dog's dinner. We wanted better work from I want to better work with[…]
[…]res non human creatures ever device and it was down to John he did he designed the masks, made the masks makeup then fitted them he made all the skin costume then turned into the into got into the costumes for the brilliant design very, very clever on that, because that's, that has now become specia[…]
[…] Can I just ask, how do you work with the costume designer? !ED: Oh pretty closely very closely, really obviously mostly […]
Evangeline Harrison Costume Designer Interviewers: Paul Frith (PF) & Carolyn Rickards (CR) [EH’s husband, John Ralph [JR], also sits in on the interview] Date: 09/07/2018 Total Length: 01:41:49 CR: Thank you very much firstly for inviting us to your home today to do this[…]
[…]and various other I think Fritz kortner, I think was in that too. I can't remember all, but anyhow, they were all very important artists. And being a costume picture, as you know, in the big sets, and it is, was quite a challenge to the studio. And again, Carnival, he, I think he loved the part, you[…]
[…]rful and I was seeing everything from Caligari onwards. We1 Jeanetta Cochrane was a theatre designer and practitioner, specialising in costume and scenery design at the Central School of Art and Design. The theatre that was named after her closed in 2012 after the school moved premise[…]
