Charlotte Jennings

[…]of a monologue than a dialogue. My sister Mary Lou four named Mary Louise was born in Cambridge in 1933. The economic situation then became even more critical, and with it came severe emotional stress. No claims could be made that Jennings was a good To adequate husband and father, though he profess[…]

Gordon Hales

[…]n black and white. Later on, they ordered some colour prints, because Reggie was worried about the synchronisation and Frank Bush of technicolour was critical of he said it's very expensive is this necessary? But Reggie deemed it necessary in the production budget allowed itInterviewer  12:07 &[…]

Charles Crichton

[…]g the creative producer as opposed to Micky Balcon who was the executive, so all the asociate producers, directors used to read each other's scripts, criticise them, see each other's rushes, each other's rough cuts. And there were those monthly meetings.I wouldn’t like to call it a team effort becau[…]

E

[…] had been the editor of the Standard, and the film critic was Walter Mycroft, who Maxwell had taken down to […]

Interview

[…]'t really used to because they were used to brushing hairs out the gate and they were very, the film guys were interesting because they were all very critical of optics. Quite rightly! Because in fact I hadn't really realised until I worked on film that film was much much better! Much much sharper a[…]

Phil Windeatt

[…]more about DJ Taylor doing a profile, a biography of Orwell, erm, so we kept to that; mainly doing living artists. So that you know, and yeah we were criticised for being too soft on people, but by and large they were, the show was always a celebration of these people really, it wasn’t a hard-nosed […]

Anne Hanford

[…]t that was’79.  I think it was ’79 [Checks notes] I beg your pardon, it was ’76 and it was announced.  The BBC was getting a fair amount of criticism, I think mainly about access and all the other things about it’s Archive, and so in ’76 they actually … I don’t know who had the idea of ask[…]
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