[…]e met on the first induction day at the BBC; Douglas Canfield, who was a director who died a few years ago; David Thompson, who eventually became art critic on The Times, and made a series of very good arts documentaries, and a guy called Fred Senior, who I think wasn’t really very suited to the fil[…]
[…]a thing by committee, in those days, I don't know what it's like today, but everyone has to have a look through. Now to ask people for a constructive criticism, you're asking really for something valuable. Most people can be destructive, they can say, [???], or, "That's a bit close," or "Don't think[…]
[…]e perfect director. One of the perfect types of directors. We had in the early weeks of that picture The Murder on the Orient Express we had a lot of criticism of not so much of the sound track but of the voices of certain of the actors.End of file 2[3-00.00]PH In the first week or two of Murder on […]
[…]varied, it was hand-cranked in those days, and er, the customers loved the pictures, as I say, anything that moved and they were there, they were not critical at all.Roy Fowler: What made up the audience? You said before the bourgeoisie were a bit er...Eddie Dryhurst: Well they were mostly what my m[…]
[…] living artists. So that you know, and yeah we were criticised for being too so ft on people, but by […]
[…] -1995) was a writer, film -maker, anthropologist, Jazz musician and critic, and many other things. He was interned during the […]
[…] were there to see the play and they were very critical too, they were very critical. But it was an […]
[…] a look through. Now to ask people for a constructive criticism, you're asking really for something valuable. Most people can […]
Ivor Montagu ( critic, producer, writer) 23/4/04 – 5/11/84 by admin — last modified Jul 28, 2008 06:09 PM BIOGRAPHY: […]
