[…] it. Now, we needed a huge amount of European looking crowd, and [chuckles] I went around all the agencies, including […]
[…] a play for television, late Seventies was it, The Old Crowd. Norman Swallow: 79 Lindsay Anderson: 79. That was a […]
[…] in 'The Roar of the Greasepaint, The Smell of the Crowd'. Well the two of them, they were too alike, […]
[…]one of Nigel's scripts and I think Jan read again worked on that one to a lesser degree is as Nigel. But in one of the sequence he says there are are crowds of Summer Nights and you've written in the script Definitely not. That way. I mean meaning that of course you couldn't do that. I mean you you […]
[…]at why? In the long run, he never considered going professional, in other words, being, I think he didn't the regular film industry or the television crowd. Bobbi Riesel 31:21 I think that he, in the early days, he had a problem with with the unions. I'm not I can't rememb[…]
[…]ny, and we were working on films for the War effort. We went, we took charge of the Polish film unit, who were in Denham labs at that time, very nice crowd of people. And there was a very good director called Cekalski, I think that's C- E-K-A-L-S-K-I, Cekalski. And their editor was Stefan Osiecki, O[…]
[…]se the silent stage at Shepperton and build a part of Berlin, and so we went over there to shoot it. Now, we needed a huge amount of European looking crowd, and [chuckles] I went around all the agencies, including up the stairs. Up the stairs to Mr Lew Grade, who listened to me, who opened his littl[…]