Jocelyn Rickards

[…]want to work with Tony again, he’s be mercurial, impossible and unpredictable and I can’t imagine what it will be like in Turkey with him with a huge crowd.” Apart from that, John Osborne’s script had been pinched from Cecil Woodham Smith’s ‘The Reason Why’ and there was a huge court case over it, b[…]

John Turner

[…]per. That was a real scramble. I was then supporting the sound camera and in the thick of it. But that was also a good lesson to me, how to cope with crowds. I had a small pair of steps with me fortunately, which I managed to get over the big people. I learnt the importance of elevation on these job[…]

Ron Moody

[…]turn bike lane tube. And it was there that I met a chap called Iver who used to come down there and play his uku lady and his guitar to entertain the crowds. And of course, that was it. I started learning, he taught me the UK and I started learning the UK Lady and the guitar. My mother bought me my […]

Michael Colomb

[…]ature thing that the trouble was it was very exposed and you get out to a camera position Fulham  or somewhere and you're usually high above the crowd in a box and the wind blowing on a tape machine is can these there's no cover really like nowadays. I can remember getting my mic, which I haven[…]

F E (Ernie) Diamond

[…] So you're on the back end on the winch because we let it down so and comes up with track. This is what's about as good as we're willing to tell that crowd to mine it. Don't bother me at all. There's no money in my account. They're doing it. Anyway. There's a really bad job andUnknown Speaker  […]

Rosamund John (Silkin)

[…]n the evening. Anyway the play at that time was Julius Caesar and most people just tied a shawl over their head because we were romping around in the crowd needless to say for the famous friends, romans and countrymen, but I had curls made to match my hair which was red in those days so I used to pi[…]

Godfrey Jennison

[…] same film. And if you I don't know if you've spent to John Taylor. On this on this project. But. He made a horror horrifying story of terrorism. The crowds for releasing the overheads you had to carry day then the hedge and other parts of the sale I ended. Up you just put a colossal percentage on t[…]

Tony Bridgewater

[…]e worked all night and slept on the floor of these improvised studio we put there.  We did all these sort of things. We were a really jolly crowd, it was enormous fun. And err, nice atmosphere of adventure. It really was adventurous. Alan Lawson  24:08  And it[…]
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