[…]’t think in those days, did you?MD: I don’t rememberNS: There would be a morning ‘waltz’ through and an afternoon rehearsal.MD: What I remember was a crowded studio; there was no room to move. I mean you couldn’t dance and three bears was a very small cast. In ’38 the Vic Ballet did big ballets. I m[…]
[…] in the foyer and about ten minutes later an awful crowd of boys who got to see him came in. […]
[…] and some cut sequences. I remember there was always a crowd of native extras on the ground, living in tents […]
[…]oyer and if it's positive I'll let you know." So I thought, "That's over anyway." [laughs] So I sat in the foyer and about ten minutes later an awful crowd of boys who got to see him came in. They were the sweepings of London! I thought, "I can't possibly..." I'm not a snob, but I mean, if you work […]
[…] it hidden, and they knew they were going to be back to a hot meal in a minute afterwards, or a little while later, did it hidden so that wouldn't be crowds around clamouring and shouting and getting in the way. So they knew we were there filming them, but nobody else did. [00:22:56] And so the[…]
[…] you to catch a cold and one had to do this about calling artists on the set. Sometimes you even go down to the telephone room to call the crowd artists on to the set because they had a the microphone there he could speak up to the up to the dressing rooms and up to the canteen. And every[…]
[…] hour and then we stopped Saturdays and went in the crowd scene, you know, like when they were doing. But […]
[…]id. You know, really as a first. I think the toughest is The second was the charge of light brigade. That was a real tough picture to do as well. big crowds, big action sequences. You know, when I was sort of ramrod second, I had a couple of other seconds working for me. But they were the two toughe[…]
[…]e know what the Prime Minister looks like. But what we don't know is what the people that he's talking about look like. So that's why I'm filming the crowd. He said, Well, I hope you're not trying to make a political point. I said, Sorry, who are you? My name is Gerald Kaufman, I'm the payments and […]
[…]olunteered to give up their time, voluntary to make this film you see. So we done it in our dinner hour and then we stopped Saturdays and went in the crowd scene, you know, like when they were doing. But I can remember exactly nearly what the film was about. Now I don't know if you'd be interested i[…]
