[…]hill wanted me to fly Randolph and I was also told whatever I do don't open the bar let him have any booze so fine well we started off we took off oh crowd a little bar on the aircraft and I have either a steward with me then. And sure we are to be taken off the skipper the bird Mr. Churchill once d[…]
[…] would stand by the camera, how French would stand a little further back? David would stand by the camera. And we would say let's say there was a big crowd scene of some kind. And David would say action. And Gabby would watch and then suddenly in the middle of the take, Gabby would say no, no, no, n[…]
[…] for him in 'Sixty Glorious Years'. I was in the crowd that was watching Anna Neagle, come out of a […]
[…]s painted on the side, and they were shooting these revolutionary scenes. They also built a Russian station their trains were coming in with refugees crowded on the roofs and so on. Their film was directed by Jack fader was a wonderful French director married to Francois Rosae. They say why those fa[…]
[…]we shot in Los Angeles. I had the brilliant brainwave of having my character arrive in Dallas, in downtown Los Angeles, and on a long lens put all my crowds (who I think numbered about 50) in Stetsons. So long lens shot of Stetsons bobbing up and down with my lady in focus in the foreground. That's […]
[…]oys by then, I mean, we're now talking about 1945 and the beginning of 46 the boys were coming back, and they had asked me to become a small part and crowd casting director, because the film artists Association, which was the crowd artist union, was getting stronger, and they had started and inaugur[…]
[…]e Amy Johnson film. And that was Herbert Wilcox, who was the director. And I had done a one-line part for him in 'Sixty Glorious Years'. I was in the crowd that was watching Anna Neagle, come out of a hospital, she came out of a hospital, you know, as queen. I ve forgotten what queen she was doing! […]
[…]dle technical resources, which were becoming available by 1966 to allow us to answer a very simple question that came to me while walking through the crowds of people who flooded into the Abbey during 1966. They talked to each other, you could see them talking to each other, at every point, the coro[…]
[…] hotel. And at the end of the run you go over the top and into a big heap of soft snow. They didn’t go into the snow, they went into the crowd all round and we had buy paper dresses and things. [LAUGHTER] Chamonix-Mont-Blanc. Now, when we came back and finished this fi[…]
[…] I'm looking at a still, an exterior still, a large crowd, elaborately costumed. Where was that? Is that on the […]
