[…]who came down with the local shop studios. Was ludicrous at that time we were starting.Roy Fowler 16:14 It's the fashion, I suppose, that currently we're going through, well, no,Keith Ewart 16:17 because it's bad management. Again, it's bad management. It's bad management of […]
[…] it was. SUE MALDEN 24 Hours wou ld be a current affairs programme CHRISTINE WHITTAKER A current affairs programme in Lime […]
[…] it was. SUE MALDEN 24 Hours wou ld be a current affairs programme CHRISTINE WHITTAKER A current affairs programme in Lime […]
[…]as not political significance. Apart from the dreadful loss of life.Unknown Speaker 16:47 We've talked a lot about the importance of news current affairs being balanced, being impartial. But when you witness things like bloody for a Bloody Sunday, and so on, and it's your own community. […]
[…]rsal film toUnknown Speaker 4:19 the news film laboratoires at Television Centre, where they used to process all the footage for news and current affairs, and they used to process our film footage for T money. So you should go to Television Centre after work and we used to hang around, h[…]
[…]ripts, you had to interview in the studio, he took you through everything that you would need to do in the real world on screen if you were part of a current affairs team. I don’t know why other companies didn’t do it, but they did – Southern were my first home. And two of us actually got the job – […]
[…]ocal faces, local people! OK, a lot of folk say much of it was, kind of, the kale yard, that kind of thing, but it wasn't what you get in to news and current affairs, they were really trying to do what was happening. I mean, for instance, the Manuel Trial, which was a notorious killer on trial in Gl[…]
[…]inues sadly. The whip hand now is with producers, few that they may be.Maurice Carter: One feels sorry for them, it is such a struggleRoy Fowler: Not currently, because they can write any deal they want to but there will bea reaction against that presumablyMaurice Carter: But I've seen many of these[…]
[…]That’s the first time you’ve mentioned Jeremy Isaacs’ name, I think we ought to explain at this point that Jeremy Isaacs was Executive Producer, Current Affairs and Features, but also at that stage responsible for children’s programmes at Rediffusion, but was about to, of course, go i[…]