Gerry Weinbren

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

Vernon Sewell

BECTU History Project - Interview No. 329[Copyright BECTU]Transcription Date: 2002-02-21 Interview Date: 1994-07-07Interviewer: Roy Fowler Interviewee: Vernon SewellTape 1, Side 1 Roy Fowler: I know Vernon, that you celebrated your 91st birthday on Monday last, so that makes your date[…]

F E (Ernie) Diamond

[…]rrently. What was the union position in those days? WhereUnknown Speaker  16:13  are you in the Yes, journey in sickness, sickness sickness dance Nova or payroll if phase. I do get branch boss that really needs students working during the war. We had an error message after 10 o'clock at ni[…]

Dennis Kimbley

[…]e industry. So there was always a connection there as well. I worked with a father, he taught me all my photography. And she Who was she was a ballet dancer at the time married married, Michael. Anyway, I worked there for another few years before I was caught up into the RPF. I'd been in the trainin[…]

Rodney Giesler

[…] was adjusted. But that was the COI and those were the irritations you experienced when making sponsored films. Anyhow my first exposure to Jack's guidance was delightful and stimulating and enjoyable. And when I finished that film, and went back on the freelance market, I did all sorts of things. I[…]

John Shirley

[…]didn't know that. Anyway, I was I was very thrilled at the prospect. And we had some wonderful, wonderful material. I didn't have much thought for guidance from Ken, his most strange manager, he he left him very much to myself and also, Cubby, bro, is not the guy to say very much about editing. So I[…]

Joe Mendoza

[…]t to him. So one thing that struck me about Africa was because this was the end of colonialism really, we went to a very, very remote place to film a dance. And I can't know quite where it was now. But the district officer was 24. And he was the British government there in the middle of this great w[…]

Michael Clarke

[…]se officer cadet so a lot of uniform, a little white strap stripes on their shoulder, they were allowed in the bars to meet all these people. I never danced with Vivian, the only those lovely opportunities that people accuse me of having afterwards my wife in particular, I never met her. In fact, I […]
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