[…]iltered out, I hope, of any... [Break in recording] Okay. Yes, Decline and Fall we made - I think it was the last film to be made at MGM. Wonderfully designed by a man now dead, called John Barry, whose first film it was as a full production designer. He was assistant to Elliot Scott who was the pri[…]
[…]er really liked the Arriflex actually, it's never seemed a complete camera to me and I think they're brilliant people, I think if they'd said well we designed this camera for combat, let's throw it away and design something completely new. But it still has pieces left over from the war, even now it […]
[…]Lawson 0:01 The copyright of this recording is vested in the BECTUhistory project. Raymon Morse known professionally as Ramos, actor, set designer, model maker, makeup artist, a man of many talents. Interviewer Alan Lawson, recorded on the 26th of August 1993.Side one.Right here we[…]
[…]Arnold Schwartzman : It's interesting - I don't know if you will recall this, because it's become a mystery to me. Because of my origins as a graphic designer I was particularly interested in what must have been one of your early Hitchcock films where the title design were very abstract, very simple[…]
[…] Because he he he'd been to the Slade School and he started in in set design up at ballroom would either national or. I think it was that that studio&[…]
[…]at's right. We did these Summer Serenades and then I did a series with the show band, Cyril Stapleton's Show Band called The Show Band Show which was designed by Dick Levin. And he'd done it in such a way that on the music stand you could light up show band show and with the camera pulled back on it[…]
[…]ace we were really looking for. And eventually I suggested to the architect who designed my house we'd give him the draft of drawing up some plans for a sm[…]
[…]ry boring. Whereas with the primitive equipment you had to fight the equipment all the time.BH: That's probably what it was, John. They did ask me to design a vision mixing panel which I was quite flattered to be asked, and I did design one with a few extra mixers and things, not the old A, B one. W[…]
[…] And we started work started work on the on the Monday it there was one other chap you working with him. But he was more than just working because He designed or not not not design. But he was a draughtsman on the whole job. So he you get bits and pieces of a one. I was very useful that in my time o[…]
[…]with some lead shot in I changed this to canvas which I had starched very thickly and used lead shot in that. And I built these things up and I designed a wind machine with the drums, the thing which D P Field helped me to design, to soundproof it in other words, and with different canes I cou[…]
