Wolfgang Suschitzky

[…]s.Speaker 2  42:05  Well, I can't tell you the exact date, but the area didn't come in until maybe two or three years after the war. It was designed as a combat camera by the Germans. And when we first used it, it had a plastic gate, a soft gate. And was astonishing the study in those days[…]

Len Runkel

[…]uid each, and sold them for 10, I think. And, you know, I think,Unknown Speaker  48:02  when I look at them now, and the amount of work and design that had gone into them, they were worth far more than that, really, and they were so robust, nobody was ever going to break oneUnknown Speaker[…]

Francis Searle

[…]wasn't grease paint. It was, it was the it was the smell of solenoid. Is such a thing. I. Um, because even even at the even at the one at more than I designed the proscenium arch and all that sort of thing, full sized it and so that didn't last because I, because, like, as so often happens with fami[…]

Philip Leacock

[…] things when you joined the Crown Unit, called Pillar to Post and Deadly Lampshade.Philip Leacock: Well Deadly Lampshade was a ludicrous thing by the Design Council or some such organisation, about - we tried to design something which was truly appalling, broke all the rules of good design. And befo[…]

Reg Sutton

[…]ning body. Sir Gordon Craig was our managing director.Roy Fowler: It's said he was sir because someone loused up the fact there was also a theatrical designer called Gordon Craig who was due for the knighthood.Reg Sutton: That's right, that's the story. Yes, that's the story. I wouldn't be surprised[…]

Winston (Wyn) Ryder

[…]g for A.R.P. Films or A.R.P. Studios. They were renting Beaconsfield while Ealing was being built, and I went – we had two trucks – two sound trucks, designed for the desert, designed for big locations in America. One was only a bank of batteries and a petrol generator (a standard) and two recorders[…]

Vernon Sewell

[…] was needed, someone had to invent it, someone had to design it and build it... Vernon Sewell: Well they all […]

Carmen Dillon

[…] Architectural Association, she entered the film industry as an assistant designer at the Wembley studios, working on ‘Quota Quickies’ for […]

Leonard Harris

[…] like, a lot of useful stuff mind you. Photographic chemistry, design, electrical engineering and all sorts of things, and we […]
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