[…] they considered that because they designed the sets they could design the production, which is to a certain extent true […]
[…] someone loused up the fact there was also a theatrical designer called Gordon Craig who was due for the knighthood. […]
[…] and Perfect Strangers; and Elizabeth Haffenden took on the Costume Design for Two Thousand Women (on whom see Melanie Williams’s […]
[…] access to space. For example, in three London ‘picture palaces’ designed in 1935 (each of which seated over 1,000 patrons), […]
[…]t out much later. And so I didn't know I had any relatives. Yes, so growing up in north London was interesting. During the war, we we lived in a cool design King Kentish town, and there was an air raid shelter built in the road. And when the air raid siren went, you had to run to get down there beca[…]
[…] how much you could get on them and so on. Of course you see that no height, no long play, no little, just little, little needle in it was all 78 RPM design, and we got together and found out what relations between the size of record, length of time playing, and so on. And then we went to the phonog[…]
[…]y we were looking at the kit but it also gave us the chance to look and see what a facilities company edit suite looked like because we were going to design our own one without having any real idea apart from STV's edit suite, what an edit suite looked like. So that was interesting and then we went […]
[…] as it's called now, and add three submarine pens inside and three submarines actually inside the stage, all moving and very clever bit of production design. Ken Adams was the designer and Peter, ably assisted by Peter Lamont, you know, because all the submarines had to have under underwater tractio[…]