[…]ich is...Peggy Gick: I remember Edward saying, "now the first thing you've got to do is forget all you know about architecture, because film sets are designed differently." Which was perfectly true, because the whole thing on a film set is your detail has got to be at eye-line. Now normally in archi[…]
[…]led we're in business to being directed by John Roden who was not really a film director but more a writer. Good very good writer a good writer. So I designed this film when he'd gone off to film it and I kept asking for the script and I guess I got some very strange looks and then I realized it was[…]
[…]for him, as far as I remember one afternoon in a theatre at Denham, and he was there with the director, the producer Perc Pierce, who was part of the designer organisation in Perc Pierce I think it also been an animator on SnowwhiteAlan Legard 0:38 I believe. Oh, right. Yes.Richard Marde[…]
[…]e stuff folded back on the walls and roulette tables all went back on the walls and things converted into things. And I made all this stuff myself, I designed all the fixed stuff for it. And they wanted some cobwebs, and they didn't know how to make cobwebs. The prop man used to go and get cobwebs o[…]
[…]ded to divide the stage into two with a… bars, iron bars, a grid of iron bars, completely cutting the stage in half so that… And Sally Jacobs was the designer and basically the bathhouse set was exactly the same, and I thought very carefully about this and I said to Peter would he mind … so basicall[…]
[…]et Furse? She, was she...Oh she was married to Roger.Right. Oh, yes, of course.She's one of the...Yes. That's right. Yes.Three sisters. The, the, the designer sisters, you know. What were they called, the three sisters? And the Furse family were such a typical English family, you know. They, they we[…]
