Sarah Erulkar (de Normanville)

[…]gestures,  Sarah Erulkar  26:47I mean, it was all so new then to people. I mean, I made a film years later, I mean, 20 years later, on design and steel. And the, one of the designers, I went to Holland, to shoot, a wonderful, articulated, animal, steel animal that he'd got, which was […]

Sheila Whitaker

[…]flat in London...SF: The sweeping up?Yeah. So that lasted about five months, I think, when I saw advertised a job to run the collection of stills and designs and posters in the archive.SF: Here? I mean BFI job?Yeah.SF: The National Film Archive.Yeah. And it said ‘degree preferred’ and I hadn’t got a[…]

Julia Cave

[…] I said, “But that’s a very wide-angle microphone.”  Which is basically, what it is, you know, everything that’s going on, and that’s what it is designed for…Alan Lawson: Panoramic-sounds.Julia Cave: Anyway, so the question in dispute at the moment is: “What is going to happen about the sound?”[…]

Aida Young (nee Cohen)

[…]as no them and us and it was just like a family.  I mean it was just terrific and the quality of the films was wonderful.  We used the best designers, the best technicians, it was just wonderful.  I’m… you know if anybody ever sneers at Hammer, and when I think of the rubbish that was[…]
Scroll to Top