[…]the, run, run them through a series of printers.Yes, I’ve got it.Which Hindmarsh, Percy Hindmarsh who was the, one of the engineers there he actually designed the machine to do it and they built their own machines.When, when they were printing particularly newsreels were they printing, mm, mm, a mar[…]
[…]t is - no, Kay, you're quite right - the thing is that the creativity of the moment, for instance - that's very important - but however carefully you design a script for instance, I think you'd agree, that then as a director, the important thing that happens is that when you go on the floor and you'[…]
[…]r: Was it? Andy Worker: He did the tests and I don't know what went wrong but suddenly Carol turned up. Roy Fowler: Beautiful sets. Both in design and construction - very handsome. Andy Worker: Well John Box did a marvellous job on that. Roy Fowler: Yeah, right. Shepperton was ve[…]
[…] green, it was a great nothing film. That brings us to tv, it would be interesting to talk about some of the early tv series which were made here but designed for American release.Robert Beatty: If you're talking about Dial 999 that was a sort of co-thing. A company, Ziv of American and Harry Alan T[…]
[…]ch? A French camera? Yes, ah, I've forgotten the name. And it had two sets of lenses, cook and Astro, and you could shoot sound on it, because it was designed for, that's right, I knew Israel, yes, yeah, and it weighed a ton, yes, but I think Joe was using that yes, but I don't think he ever got any[…]
[…]director would er - or his draftsman would give you a drawing?Tom Peacock: Well he would - actually what happened was that er, they would get - a set designer, he would go along and take photographs you know, off the set like, er Houses of Parliament - something like that. They'd go along with a gau[…]
[…]tor, interviewing artists. So the directors also wanted to be in London, because it meant they could see many other people, the music people, the set designers. They were all up in the Leeds. But the initial work did start as it were, down in London, and then on one occasion, we had a lovely BBC dir[…]
[…]floor, all the light were switched on from the same console, the camera was switched on from the same console on the floor. It was a very beautifully designed stage. There were two stages. One of them you could divide into two. One of them had a tank, a big tank which was often used. And I suppose t[…]
[…]and it smelt of new wood and it seemed vast, the stages seemed vast then to me, but it was very good there, the studio was very well built, very well designed.Arthur Graham: This was still in the silent days?Eric Cross: Oh yes.Arthur Graham: What happened when sound came?Eric Cross: Well at VIP we h[…]
[…] are due to take place shortly with Alison Bancroft website designer. Use of the Collection Mike has been researching an […]
