[…] who was good enough for the sets at that moment, designers, so I put forward Roland Whiteside, he was excellent […]
[…] to New York. My first wife, who was a dress designer, got a job and I did a number of […]
[…] of the knighthood, that it was intended for the theatrical designer, but because of his Tory party affiliations there was […]
[…] suddenly Carol turned up. Roy Fowler: Beautiful sets. Both in design and construction - very handsome. Andy Worker: Well John […]
[…] happened was that er, they would get - a set designer, he would go along and take photographs you know, […]
[…] same console on the floor. It was a very beautifully designed stage. There were two stages. One of them you […]
[…] the number two. I mean they are the people like designers and production people but they're not actually on the […]
[…] major step was the blimp, and the first blimp was designed at BIP by Theodore S parkel, who became Lubitsch’s […]
[…] good there, the studio was very well built, very well designed. Arthur Graham: This was still in the silent days? […]
[…] Harriette Johns, Norman Pierre, Jean Taylor-Smith and J. Leslie Frith. Designs for the play were by Guy Sheppard, who did […]