[…]Glasgow, very seldom seeing my mother when she cameup. Dress collections. She was a dress designer and she would undertake to take these collections around the country.Did this turn&nbs[…]
Ken Adam (KA)Art Director, Production DesignerBECTU No.416Interviewer: Rodney Giesler (RG)Date 12/03/1997 & 29/07/19973 Tapes 12/03/1997Side 100:00:00 – 00:29:30 Introductions; born 1921 in Berlin; upper middle class family, German-Jewish; his father had a sports store in Berlin and used to[…]
[…]re saying that sort of you went to Glasgow School of Art, so obviously as well as writing your sort of words, obviously quite talented in sort of the design areas. Did you ever sort of feel inclined to sort of go into that area. Donald Wilson 18:04In between mostly location work, we're go[…]
[…]set anybody could ever have, my train set was one day when I was told at BAFTA that they would like me to look after the theatre and how it should be designed and what the technical equipment should be and that was my train set. And I did that theatre at BAFTA and whenever I go and see a film beauti[…]
[…] they called the 'SS-Car', see? And that was a nice design, because he was a good designer. So as I […]
[…]sand dollars to put Mickey Mouse on a watch, well that started all the commercial business for him, you see. I never really had that luck, although I designed the 'Diddy Men' for Ken Dodd, you know? That is a fact, that is, and when Ken Dodd used to appear in all these theatres, they were my designs[…]
[…]nd whittled down a group of 20 locations to be visited on a one-night every four weeks cycle. The films, on 16mm gauge, would be shown on a specially designed 16ft wide collapsible screen (capable of being erected and taken down by one person) and the projector would be capable of running the entire[…]