[…]e written, no.Yes.He took part.Ah, sorry.When we get to programmes, yes. I worked for Malcolm Baker-Smith.Oh great.And Malcolm Baker-Smith had been a designer with Barry Learoyd before the war and he joined the Navy. He’d been invalided out of the Navy and he’d come back to BBC as they called a prod[…]
[…]ly just think of him as being a tremendously hard worker and always there and enthusiastic. He then went out to Hollywood and became a great lighting designer in Hollywood.Roy Fowler: Yes, he directed one or two films out there, didn't he?Joan Kemp-Welch: Yes and he died, oh, I suppose abo[…]
[…]in 11.DMW: 33:47 And that was, made my, titles. If you remember. That was that. So we’ve established the area and then I called in my set designer to discuss what kind of house they lived in. And it was to be a 12-foot square front room with a scullery out the back with an earthenware si[…]
[…]alled himself Carl NATO, although somebody said he changed the name from that, he was certainly sharp enough, and he had taken under his wing a young designer called Joy Ricardo. All these people have disappeared without trace, but she'd made some clothes, and obviously rather, he rather fancied the[…]
Peggy Gick (art director/production designer) b.1911 by admin — last modified Jul 27, 2008 02:13 PM BIOGRAPHY: Peggy Gick trained […]
[…] worked with on films at Pinewood. He was a set designer. So he said, "What are you doing here Dicky?" […]
[…] Malcolm Baker-Smith. Oh great. And Malcolm Baker-Smith had been a designer with Barry Learoyd before the war and he joined […]
[…] then went out to Hollywood and became a great lighting designer in Hollywood. Roy Fowler: Yes, he directed one or […]
[…] never liked the theatre – I was a great set designer but crazy city… = said "Yes, yes." :e said […]
[…] the film here in Tunisia and. Ronnie had a. Brilliant. Designer as is co- partner John Bryan whom. I. Actually […]
