[…]he Post Office or to a company?No, no, directly for the Post Office. And it had Arnold Machin and David Gentleman and Jeffery Matthews were the three designers I used.And you scripted it?I scripted it and directed it.Sara Erulkar Page 23What company was that?That was Rayant.That was again Rayan[…]
[…]e a very well-known producer. No I've enjoyed it absolutely. I think it's anybody in movies. I was a member Scotty Elliot Scott the golden production designer all Spielberg's pictures now. Who said to me you know I don't understand why you're not queuing up at the gates. We're all lucky we get paid […]
The copyright of this recording is vested in the ACTT History Project. The Subject is Angela Allen interviewed by Linda Wood, November 27th 1990, File 168Honorary Member of the Guild of British Camera Technicians (GBCT) and was awarded the MBE (Member of the British Empire) in the Queen's New Year’s[…]
[…]d the make-up assistants, the wardrobe assistants; the cameraman stayed the same, Mike Fash, cause that was … he came from Features … and I think the designer stayed the same, Alan Cameron, but all the support crews were changing every three days, it was weird. And I think as a result of that Euston[…]
BECTU History Project - Interview No. 108[Copyright BECTU]Transcription Date: 2003-03-18Interview Date: 1989-11-23Interviewers: John LegardInterviewee: Hugh StewartTape 1, Side 1John Legard: Hugh Stewart, film producer, recorded on the 23rd of November 1989, in his home. Interviewer John Legard. Sid[…]
[…] all comes back to the prime mover, pictures. You must remember this, somebody makes the film, I don't make the film, I write the music. I'm like the designer for the sets. You tell me, you raise the money and you tell me I want a symphony orchestra, I want a chorus, I want soloists, I will say yes,[…]
behp0076t-cyril-crowhurst-transcript This interview is the copyright of the BEHP7 hours 45 minutes Side A - Interview with Cyril Crowhurst at his home on Monday 6 February 1989. A In point of fact I was born in 1906 and the birth […]
