[…]njoyed it then the next thing that happened I know talking about after just a seminar for fellow composers week, I think I was lucky mug the American designer invented a way of harnessing voltage changes of voltage to an amplified voltage controlled amplifier and then voltage control frequency volta[…]
[…]id somebody say we're going to make such and such a film and you're going to be the chief Carpenter or already pentest.Ernie Diamond 9:17 designer?Unknown Speaker 9:17 He chose you?Ernie Diamond 9:19 Yeah, most of you get used to one another. Like Yes. And you wor[…]
BECTU History Project Interview with Philip Donnellan – documentary, writer, producerInterview Date(s): 28 & 29 June 1991Interview number: 206Interviewer: Colin MoffatSide 1Colin Moffat: The copyright of this recording is vested in the ACTT History Project. Philip Donnellan: television doc[…]
[…] the dramatisations. We did a programme called, I was a designer in those days. Yes. And we did a programme […]
[…] style of the film. Zeffirelli had one , Mongiardino the designer had one and I had one and that was […]
[…]trainee perhaps or, or because I worked with him…He, no...In open drama.That’s right.To direct the dramatisations. We did a programme called, I was a designer in those days.Yes.And we did a programme called ‘Bookstand’ which didn’t Harrisons [ph A 23:48] produce?Oh yes, I remember, yes.A young man c[…]
[…]t director to code his brother Vincent. But Vincent moved away from the picture, having done a lot of the designs, and John Bryan became the main set designer, which was the beginning of a very, very important relationship because John Bryan and I eventually became partners. And many years later, we[…]
