James Arthur Clark

[…]sque 16 new burlesque age 16 and we set off and we made with friends we made a little film in which I actually although I was so I wasn't really t he director of this film I was the actor. I was seen as an escaped Borstal Boy running across the fence being chased by a lot of policemen on my way towa[…]

Bill Cotton

[…]en I'll feel better. And I'm very like that, but as I say I'm very basic, all my life at the BBC I never took it seriously. I mean to become managing director of BBC Television was beyond my wildest expectations. And when I got I used to stand there and I used to look at the building and I used to s[…]

Oswald (Ossie) Morris

[…]tober 1932 till the spring of 1933 and the company was called associated sound film industries. And George Pollock who became a very famous assistant director was an accountant there and Norman Nests whom. I'm sure you all knew in the film industry who were in the army was in the top office he was a[…]

Roy Fowler

BECTU History Project Interview with ROY FOWLER – producer, director, writerInterview Date(s):13 June 2000Interview number:479Interviewers: Rodney Giesler Side 1Rodney Giesler:This is an interview with Roy Fowler recorded by Rodney Giesler on the 13 June 2000 for the BECTU oral history arc[…]

Peggy Gick

Peggy Gick (art director/production designer) b.1911 by admin — last modified Jul 27, 2008 02:13 PM BIOGRAPHY: Peggy Gick trained […]

Ronald Neame

[…]ourth is the fourth of September 1991. We're at ACTT. And the interview is with a very distinguished, originally lighting cameraman and our producer, director, Ronald Neame. Ronald, let's start at the very beginning, you had a parentage that was very active in the film industry of its time. Ron[…]

Harry Miller

[…]at I was in the office with Chris Chapman, who was the property master there you know, getting them to make things that he wanted, and there was this director called Harry Lachman, an American director and Chris was in tears nearly.  He said, “He’s fired every charge hand I’ve put on the set”. […]

Norman Spencer

[…]to be in films when I when I grew up, when I did get a little older. And I left school, I thought of Periscope, and I looked them up in the telephone directory and Periscope had an office on the great on the, on the North Circular Road. And I went there one day, absolute naively at about 14, and ask[…]
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