[…]but he’s still very busy so I think he kind of just wanted to come in at the end but… Sometimes with restorations we do work with the filmmakers, the directors, or even the cinematographers, and they will come in and sit with the colourist and, like, have a lot of notes for that but Roger just came […]
[…]asgow and we went there and did shows and we went down to try and meet the people and we found an awful lot, I mean I was so lucky with the different Directors on the programme, of which you were one! You were one of them! Very successful. And Geoff Rimmer was another very successful, he was a good […]
[…]producer choice in 1993. Some would say rightly, some say wrongly, I actually think somewhere in the middle would be the right balance. producers and directors wanted to make sure that they got the right specialists to do their job. So were dubbing for instance, had been part of the Audio Units remi[…]
[…]gotiator. And I remember watching that programme the house about Royal Opera House where he absolutely ran rings around Jeremy Isaacs and the and the director of HR and did it with such charm and Guile, and so self effacing that they didn't realise until afterwards that they just been done it like a[…]
