[…]h a colour unit, which others had experienced. That was basically an American unit brought over from Pennsylvania. Yes, a producer for which, and the director of which were American and the two engineer,Gerald Chambers 31:19 yes, the engineer, the producer was called Paul Schmidt. And th[…]
[…] film ever to have any colour in it.LW: Richard Tauber. Yes, it's got a sequence in colour at the end and at the beginningWT: Do you remember you the director was.LW: I can't remember [Karl Grune] 4 WT: It was somebody like Ludwig Berger, not that there are many somebody's like that, but you kn[…]
[…]here? Ruby Grayson, too was bombed on a ship going to the States. That is John Grayson's sister.Speaker 2 9:58 I was assigned to. A young director called Paul burnford to work on a series of zoo films, which strand did with Julian Huxley as their scientific advisor, who was then the secr[…]
[…]lled into focus accordingly.[01:07:04:750] And, as I said earlier, I was very fortunate to have a very loyal cameraman and I suppose a director as well that put up with me because as I say the first half of the picture was out of focus. The second half I seemed to get the idea of how […]
Copyright is vested in the BECTU History ProjectFREDDIE FRANCIS, lighting cameraman, feature film director, interviewer Alan Lawson, recorded on 24 November 1993SIDE 1, TAPE 1Alan Lawson: When and where were you born?Freddie Francis: I was born in the wilds of North London, Barnesbury, north London […]
L.P. Williams (art director) 10/8/1905 - 8/10/1996 by admin — last modified Jul 27, 2008 02:46 PM BIOGRAPHY: After an […]
[…] was his assistant. And so he was the producer, the director, the writer, the cameraman, the editor, and I was […]
[…]rnet.com.Dave Robson 0:08 The copyright of this recording is vested in the BECTU history project. The subject is Michael Clark, producer, director and editor of documentary films interviewed by john legard. The date is 22, October 1993. This is side one. And the file number is 299.[…]
[…]ce by the commissionaire. And I went into this studio and of course I was over-awed by it, lights and everything like this you see. And there was the director - of course it was a silent film, obviously - there was the director showing a man how to make love to a woman, and her name was, I'll always[…]
