[…] it, but anyway, that's what got me going, because I I kept taking things to Vogue, but Patrick Matthews suggestions, John Parsons, who was their art director, and he never liked me or the pictures, but he kept saying, Okay, you're doing very well. Come back and so on. But I mean, you can't feed the[…]
[…] and everything like this you see. And there was the director - of course it was a silent film, obviously […]
[…]re, just the location. We were in India a 10ng time, it took a long time to get there. Osmond Borradaile was the cameraman. Geoffrery Boothby was the director. That was the whole unit. We didn't take sound or any actors. We went there to shoot all the battle scenes. They were big scale and to do a 1[…]
[…]an artist, and I think I I could be a good painter if I tried, found a good sketch and that sort of thing, I found that useful in in dealing with art directors and so on, to be able to sketch out ideas and all that sort of thing. Otherwise, no, there was no. I was a sort of black sheep because my fa[…]
[…] that's right. And various things like that. And I suppose that must have affected me, all the articles had other film tastes as well, for data entry directors, and all those lovely things which you had, anyhow, I got, I become a member of the Cambridge University, Film Society, which sexually which[…]
[…]er Twist set where they were filming a scene in Fagin's kitchen with the young John Howard Davies as Oliver. Of course he is now a famed producer and director. I watched the shooting of Oliver Twist until about 3 and then we went over to The Red Shoes set. I saw Micky Powell running around. And I wa[…]
[…] all just disappeared.Rodney Giesler 7:30 Was Carol caveator directing these films?Joe Mendoza 7:32 No, he had sort of he had director cameraman over look over the pair sooner do a no shot bring this was your brain this was the handover from Francis your real estate. Brillian[…]
[…]ss, Stoll Studios, Cricklewood". So I got on the tram with my portfolio under my arm, went to Stoll Studios, where I met Clifford Pember, who was art director to Herbert Wilcox. He was a well-known stage designer - he'd designed a number of stage productions in New York and a number in London as wel[…]
THE ACTT HISTORY PROJECT – CEDRIC DAWE, ART DIRECTOR.INTERVIEWER: ROY FOWLER.The copyright of the following recording is vested with the BECTU History project. It is the 19th of November 1991. We are in Chartridge in Buckinghamshire at the home of Cedric Dawe, an Art Director whose career in the ind[…]
[…]Sidney Cole: Yes, so...he had a, kind of, extra parent in you and your mother?Tilly Day: Oh yes, he was a dear!Sidney Cole: What other directors... did you ever work with David Lean?Tilly Day: No, I knew him very well. I knew him as a cutter.Sidney Cole: But I know David has[…]
