[…] is vested in the BECTU History Project. Lindsay Anderson, film director, theatre producer, interviewer Norman Swallow, recorded on 18 April, […]
[…]ker 2 14:21 the well there was yes. I mean, you know, Misha, you know, wrote music to a number of films that Harold French are well known director Adam and Eve Lin was one that comes right mainly to mind. And he remained a good friend and a very funny man Harold was. He liked his drink, […]
[…]s that we started it off on the floor, and then it was going for about two weeks but they got into trouble with time and everything, because we had a director who had an idea that he wanted to shoot it in sequence. Instead of shooting everything in one set-up and then editing it later, [chuckles] he[…]
[…] as I say, a cooperative unit. The chief producer was Donald Alexander, and other producers were Jack Chambers, Jack Holmes. Budge Cooper was a director. Francis Gysin was a director, later head of the Coal Board Film Unit. I can't remember any other names offhand. INTERVIEWER: Well, that[…]
[…]OJECTEDWARD CARRICKINTERVIEWED BY SID COLE WITH ALAN LAWSON.The copyright of this recording is vested in the ACTT History Project Edward Carrick, Art Director/Designer, recorded on 30th January 1991.Interviewer, Sid Cole.SC: Teddy, it's lovely to see you after all these years. In these interviews we[…]
[…] up questions.]SIDE 1, TAPE 1Norman Swallow: When did you come to Britain and under what circumstancesRudi Cartier: I was the first person as a young director to direct the first film ever made by Sam Spiegel, he had no experience as a producer, so when it was made here, Sam Spiegel went to, he said[…]
[…]?Mm. [Pause] I keep getting confused because I later on cut a children’s film and I can’t remember what this one... Unbong Chappie [ph 40:12] was the director by theway.[40:14]AL: Oh well we can phone him up.I think it was a, it was about, there was some skiing in it but I cannot remember the name o[…]
[…]bsp;a conceited note, it took wg a mere 35 years to become managing director so with that in mine there's hope for everybody in our industry. RF: The one film we must pray […]