[…] pretty famous at the expense of the people who count, the players, I mean, the players and the writers, the players and the writers. The most that a director should be, is how to present what the player interprets from the script, most effectively. The greatest theatre of my time, with all due resp[…]
[…] that's how, that's how I was introduced to Michael winner. And as I say, I've got Christmas cards from him here from years gone by. Great guy, great director should have won an Oscar for death wish. I John Luton 38:45 couldn't agree more. Ernie, and I think really, it's a[…]
[…]ges. So how did that work, in terms of them understanding what was going on on set.Speaker 2 22:06 It just put a lot more pressure on the director. I mean, when, where, what we, what we do was to just in the script, put introduction to this cameras as directed, or interview cameras, as D[…]
[…]t I was always struck by how unflappable they were in the gallery in those days because it was two minutes to air and the lights are flashing and the director is running through the running order and giving [unintelligible] and checking “Has any film arrived yet?” and you’re replying “No, […]
[…] bringing new talent through or...? R: It certainly felt like that. Probably especially behind the scenes, the production side, so Producers and Directors and Editors. It felt a really fantastic opportunity for giving them a chance to move on, do something different, do it their way! I loved, s[…]
[…]est Lindgren, Curator of the NFA – MW: That’s the National Film Archive. RS: That’s the National Film Archive.- and my ultimate bosses, the Director and Deputy Director at the IWM. So we ended up going it alone. We developed a computer system called Apparat, which ran on what is known in t[…]
