[…] lost touch with him, you know, but he and I used to get in the cutting room and look at the film and, I mean, we sorted it out. The the producer and director didn't anything to do with it, really. And we'd because it was music wall to wall. On those documentaries you did, there was no question of w[…]
[…]Anthony Mendleson : Well that was the whole point, that was your training! I mean, you went through the script religiously, you had meetings with the director and the producer, and you'd say, "Now I reckon that Susan Shaw will need three changes and the last change you had six versions of..." or som[…]
BECTU History Project - Interview No. 110 [Copyright BECTU]Maurice Elvey (film director) 11/11/1887 – 28/8/1967 by admin — last modified Jul 28, 2008 04:49 PMTranscription Date: [? Pilot Project] - Interview Date: 1963-10-01 - Interviewer: Ralph Bond[…]
[…]people available to do it. Sound recording was Harold King and he went on to great things.BA: He became head of Sound at ABPC Studios.BE: And the art director was Holmes Paul. He was an older sort of art director, very very nice man. One of the few then who then had a beard and so he was rather dist[…]
