[…] chemicals, how to do chemical analysis, all this kind of stuff is what I was involved in. Then in ‘74 my boss Paul Read left Kodak to become the lab director at Kays, Kays laboratories in Highbury, and six months later he said “I’d like you to come and join me as a technical manager. I need that so[…]
[…]mething went wrong, you see, so the second one which, and that was the one which, the first one which was all right, was me alone. So I was the first director. Tim Aymes 18:54 Films still exist, Stanley Watkins 18:57 I don't suppose so. No, I had[…]
[…]ithin certain degrees of control. And an Arts programme wants to throw these things out the window but you had to have an awful lot of trust that the Director would say to you, "I want to do it this way" and then when he then takes the footage into the Edit suite and the Editor says, "I can't cut th[…]
[…]w, it was an ideal to have, because when I started there were female P.A.s [Production Assistants], now Tina Wakerell would have been the only female Director, I think, at that time, and I was a female Designer and Morag Torbet was the Floor Manager so there were only two or three of us in the creat[…]
[…] so approached a costume designer his uncle knew, who then introduced him to designer John Brown; JB was then sent to Edward Carrick, supervising art director at Pinewood, who gave him names of other art directors he should contact.00:09:30 – 00:16:20 He received a letter from art director Ale[…]
[…]n Festival, Moscow Festival that is every two years, and sometimes some of the others, so that one travels around to them. And er, we see some of the directors and of course it's a question of keeping one's ear to the ground sort of thing, as to who's making what, and we're all the time looking out […]
