[…]n the crew. And there's a kind of pivotal moment when (I might tell you the whole story later!) but at some stage I remember a specific job where one Director turned up to shoot what was deemed a feature by the Unions but in fact all he wanted was some GVs of the Dundee skyline. We went to the top o[…]
[…]ts end and that was a kind of extraordinary tour de force on her part.ES: [Fading to barely audible] But your influence on it obviously, you were the director, you wrote it could you talk about briefly?30.00:LM: Well I really didn’t do much writing, I mean Peter did much more writing than I did, I m[…]
[…]’s 16mm material until the early-80s; when Technicolor wanted to enter the 16mm market, they thought they could buy CFS when Bill Ingram was managing director of Technicolor – it didn’t lead to anything; in the 1960s CFS installed a sound recording facility in the basement of a new property adjacent[…]
[…]nto film production properly," see? Well a friend of mine who is a big noise in the film world - later he was - he was then, and his father was a big director in Gaumont-British. And this friend of mine, we were young, almost kids together, I knew him well and his name was Hughie Orr, and if you get[…]
