[…] it, including storyboard artist Bill Stallion - https://historyproject.org.uk/interview/bill -stallion and director Mike Hodges who was so complimentary about the HP. […]
[…] he began working in the cinema as a partner to director Adrian Brunel and as an editor and associate producer […]
[…] this stage? TC: General manager. We didn’t have a managing director. I was also a director of the company, I […]
[…], he wasn't there for very long but he was there. Paul Sinclair did some Production there. Whether that was Freelance or not, I can't quite remember. Directors would include guys like Mike Gower, Ian Couser, John Macdonald. There's Margaret Cunningham, the P.A., Alex Burton, the P.A. so these were r[…]
[…]hought how to answer this question, but I will try now. It's a valid one. I think they felt that, that they wanted to retain the support of the Shell directors, which was forthcoming, the freedom that they gave to the film makers. And it was complete freedom, really. They wanted it to be free of any[…]
[…]l St. John, who was an executive producer, who did have a certain amount of flair, I think. But otherwise, you dealt really with the producer and the director of whichever film you were working on, and it varied as to who had the most say. Sometimes the producer wanted to know everything, and someti[…]
Ken Adam (KA)Art Director, Production DesignerBECTU No.416Interviewer: Rodney Giesler (RG)Date 12/03/1997 & 29/07/19973 Tapes 12/03/1997Side 100:00:00 – 00:29:30 Introductions; born 1921 in Berlin; upper middle class family, German-Jewish; his father had a sports store in Berlin and used to[…]